The remaining versions have different types of interaction built in to replicate the way some analogue equalisers work, and the high/low-pass filters also come in various flavours defined mainly by the filter overshoot response. Additionally, there are four variants on the filter characteristics, the first having the least interaction between cut/boost and bandwidth. ![]() Both mono and stereo operation are supported, making a total of six permutations. The five-band EQ or the filter section may also be used alone to save on DSP power, in which case the unused sections are greyed out. In the case of the Sony Oxford R3 EQ, however, the original was also a digital, DSP-hosted design (used in the Oxford digital console), so its transfer to a plug-in was relatively painless and didn't necessitate any emulation.Įssentially, the EQ comprises a five-band, fully parametric design plus switchable-slope, variable-frequency high and low-pass filters. ![]() Plug-in equalisers that claim to emulate classic analogue designs can only ever be that - emulations, and depending on how well the algorithms are written, those emulations can be very successful or seriously disappointing.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |